TINT GALLERY
January 14 - February 19, 2023
RETROSPECTIVE: IN A NEW LIGHT
TINT is starting 2023 by taking a look at artwork from our artists In a New Light. This Retrospective will give you a chance to see highlights from shows you have missed, to see works from different exhibitions interacting, to see how curation can change the conversation between works. Sometimes, it’s not a change that is needed, simply a new vantage point.
January 14 - February 19, 2023
RETROSPECTIVE: IN A NEW LIGHT
TINT is starting 2023 by taking a look at artwork from our artists In a New Light. This Retrospective will give you a chance to see highlights from shows you have missed, to see works from different exhibitions interacting, to see how curation can change the conversation between works. Sometimes, it’s not a change that is needed, simply a new vantage point.
Landscape in Transition, Screen print with monotype and transfer
CROCKER-KINGSLY
December 2 – January 14, 2023
Originally starting as a collaboration between the Crocker Art Museum and Kingsley Art Club, the Crocker-Kingsley is a juried national art competition with a history spanning over eighty years. Over that time, the Crocker-Kingsley has featured some of the most premier names in California art, including Robert Arneson, Kathryn Uhl Ball, Elmer Bischoff, Fred Dalkey, David Gilhooly, Ralph Goings, Gregory Kondos, Roland Petersen, Mel Ramos, Ruth Rippon, Fritz Scholder, Jerald Silva, and Wayne Thiebaud.
This year’s exhibition taking place at Blue Line Arts is juried by Emma Saperstein, Chief Curator and Director of Education at the San Luis Obispo Museum of Art (SLOMA).
Fragmentation, Screen print with monotype and graphite 30 x 22
TINT GALLERY
"Grounded," a group show featuring works by
Catherine Mackey, Sarah Newton and Deborah Sibony.
August 18 - October 2, 2022
"Grounded," a group show featuring works by
Catherine Mackey, Sarah Newton and Deborah Sibony.
August 18 - October 2, 2022
Three Bay Area women artists, working in three different media (painting, drawing, and printmaking), explore what it feels like to be grounded here. Inspired by the Bay's transitioning landscapes, the collapse and rebuilding of industry and the areas between the water and developed land, theses artists capture a snapshot of the imprint of and disappearance of the urban on nature. By finding the beauty in architectural decrepitude, destruction, construction, and incompleteness, Mackey, Newton and Sibony find a way to stay grounded in the Bay Area during these uncertain times.
SEBASTOPOL CENTER FOR THE ARTS
July 30 - September 4, 2022
PULP: Book & Paper Arts
Innovative and traditional book arts and paper arts international exhibition.
Juried by Alicia Bailey and Helen Hiebert
showing Water, Calling a collaborative artist book
Water, Calling consists of Cyanotype prints, monotypes with image transfers and watercolors by Deborah Sibony.
Text, water patterns, letterpress printing and binding by Camden M. Richards. Soundtrack by Anne Hege.
Text, water patterns, letterpress printing and binding by Camden M. Richards. Soundtrack by Anne Hege.
PENCE GALLERY
June 21 - August 17, 2022
A Juried Exhibit of Regional Art
June 21 - August 17, 2022
A Juried Exhibit of Regional Art
REVERBERATION CONTAINMENT OSCILLATION
During COVID we were all forced to slow down and take a pause. To avoid succumbing to despair, fear, and chaos we were faced with examining how we live our lives, what is important, what really matters. At first art seemed like a frivolous way to pass the time. Nonetheless, having my studio space where I could go to work safely and alone was freeing. I started working on a series of monotypes which represent frequencies and fluctuations — and the ways we map our pace in life. I was interested in the correlation between linear patterns and our physical movements. I was working in a contemplative way—marking the time. We were viewing data and information because our lives depended on it — staying informed about where cases were high and where they were low. I felt vertiginous as our world was undulating from one stage to another. These prints represent interior feelings I had during the pandemic as it invaded my art making.